By Tzachi Zamir
The e-book engages questions of theatrical concept, the actor’s “energy,” the adaptation among performing and pretending, the specific position of repetition as a part of stay performing, the viewers and its allure to performing, and the original value of the actor’s voice. It examines the embodied nature of the actor’s animation of a fiction, the breakdown of the excellence among what one acts and who one is, and the transition from what one plays into who one is, growing an interdisciplinary meditation at the courting among lifestyles and acting.
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Acts: Theater, Philosophy, and the Performing Self (Theater: Theory/Text/Performance) by Tzachi Zamir